LFW backstage beauty: Floridian ’50s housewives at Jonathan Saunders
Ahh, Florida; the ‘50s Miami woman inspired the hair and makeup at Jonathan Saunders, where Paul Hanlon first blow-dried hair using Fekkai Strong Hold Mousse—“it gives a lot of guts to the hair,” he said—then parted it on the right and combed it into a low ponytail, tied with a basic black elastic. Then, using his fingers, he pulled bits out around the ears. “It gives it a feeling of being undone; a moment that’s just gone kind of wrong,” he said. “It’s a little bit disrupted and takes away from it looking so done.” The finishing touch: a brown bobby pin, its end tucked in, pinned just the way a girl would to get her hair off her face. Easy, not too messy, and not too clean.
Meanwhile, Lucia Pieroni created a makeup look reminiscent of a “housewife in the ‘50s that’s particular and meticulous, but one that’s been on Valium a bit too long, so she’s a bit kooky and deranged,” she said. A dewy, natural face with a bit of M.A.C’s Fusion Gold on the cheeks was punctuated by strong, black eyeliner—Fluidline in “Blacktrack”—applied with an angled brush. “It’s not Amy Winehouse, though,” said Pieroni, “it’s more ‘50s.”
The post LFW backstage beauty: Floridian ’50s housewives at Jonathan Saunders appeared first on FASHION Magazine.