FASHION Magazine
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From the March 2014 issue: Spring’s boxy pleats and arty prints get the lady treatment
Photographed by Max Abadian. Styled by Zeina Esmail. Hair by Ayumi Yamamoto for De Facto/Kérastase. Makeup by Hung Vanngo for The Wall Group/CK One Color Cosmetics. Fashion Assistant, Eliza Grossman. See the Lady 2.0 fashion shoot »
See the Spring 2014 lady trend »This season’s early adopter likes her tops boxy, her prints arty and her pleats as plentiful as they can be. In this photo shoot from our March 2014 issue, we meet spring’s new woman: Lady 2.0.
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Ones to watch: Kat Marks is the latest Canadian to conquer London
Photography by Paul Hine. Millinery by Niamh Flanagan. Everyone loves a Canadian designer in London. From Erdem to Mark Fast to Thomas Tait, it’s a whole new boys’ club over there. But they better make room for one serious creative force of a girl: Kat Marks.
The Calgary native graduated from the Ryerson School of Fashion in 2008. I’ve never forgotten her work at the grad show. While most of her peers were fussily reinventing the cocktail dress, Marks was making balloon-shouldered bodysuits and plastic torsos with jutting hips. Think Margiela, but at a sex shop. Soon after leaving Ryerson, off Marks went to the London College of Fashion, where she got her Masters in Fashion Artefact and all the right kinds of attention.
Today, Marks’ fashion film, The Karass, premieres at SHOWStudio.com. No big deal: it’s just the major-est, most respected avant-garde fashion force in the whole UK. And yes, the short is shot by the site’s mastermind and genius image-maker, Nick Knight himself!
Experience the video for yourself, but be sure to keep in mind that every interchangeable piece of these hyper real tuxedo-like breastplates was made by Marks’ own hands: the vegetable-dyed, heat-moulded leathers, the manipulated bits of brass and the Perspex, which was hand-etched (“tattooed,” she says) with ink.
How did Marks and this bizarre, wearable-but-just-barely work get such a spectacular break? She didn’t. She sent an email. Alexander Fury, fashion director of SHOWStudio, “got it” right away. “It is rare to see pieces as distinctive and strong as Kat Marks’ work,” he says in a press release for the film. “Rare on the catwalks, and certainly rare in a designer so young.”
And so here’s the mega-talented Ms. Marks in her own words, typed over Skype and delivered straight to you.