FASHION Magazine
-
Milan: Colour-blocked furs at Fendi
There were gorgeous colour-blocked furs at Fendi–in the opening black, white and grey coat or a long multi-hued brown vest. Another look to loveo: the belted loden coat over a long ochre full skirt. The Fendi boot was a wicked take on galoshes, in suede or ostrich. With a high heel of course!
The post Milan: Colour-blocked furs at Fendi appeared first on FASHION Magazine.
-
Milan street style: A wrap-up
Missed our Milan street style snaps? Click on the images below to review and stay tuned for Paris!
The post Milan street style: A wrap-up appeared first on FASHION Magazine.
-
Marni softens up for spring
Marni, the line women love to love, is a little less instantly, obviously covetable for spring, if only for the striped leggings, which, when combined with the headscarves on the models, had the look of pirate gear. Otherwise, the collection was made up of pretty layers that were less structured and cut closer to the […]
The post Marni softens up for spring appeared first on FASHION Magazine.
-
Milan street style: Black velvet
After a summer of ripped-to-shreds denim (we’re not complaining), this much luxe polish is refreshing. From the perfect velvet blazer to the shimmering hard shell clutch, this outfit reminds us that dressing up has returned.
See the full look after the jump.
-
A D&G showdown at the O.K. Corral
Stefano Gabbana and Domenico Dolce took a trip to the O.K. Corral for their Spring 2010 D&G collection. There were plenty of ripped jeans and snap-up denim shirts, but more than cowboy chic, this was high-noon Wild West camp:
-
Prada mixes palm trees and chandeliers for Spring 2010
It was an odd mix of slim shorts with unfinished hems, crystal-encrusted shoes and dresses and beachy prints that came down the runway at Prada today. But trying to read the mind of Miuccia Prada is like trying to understand the motivations of Greek gods: It’s impossible, so you should just go with it. Of said motvations: “Beach and antiquity — high and low — it is all the same,” the designer told Suzy Menkes. “It is supposed to be an ironic take — sometimes nostalgic, for a contemporary take on antiquity for those who don’t understand the beauty of the past.”