FASHION Magazine

See the photos from RAFF’s opening night »

As it’s getting to be in Toronto, there are so many festivals, exhibits, parties and things to see, that you can’t very well see ‘em all. And while we once would have lamented over the lack of such a problem, we’ve got it now for better or for worse. In order for a working art mind to grow, you have to work hard not to let any potentially mind-opening experiences fall through the cracks, and that’s why despite the weather, I dragged myself out into the cold on Wednesday night for the opening of the Real Artists Film Festival (RAFF) held at the TIFF Lightbox. In its 10^th year, RAFF brings some of the best art-related documentaries to the city, this year launching with an excerpted version of Megumi Sasaki’s Herb & Dorothy 50×50, the follow-up to the 2008 original, Herb & Dorothy. The original tells the story of Herbert and Dorothy Vogel, the postman and librarian also known as the “proletarian art collectors,” who amassed a collection of almost 5,000 works of contemporary art in their one bedroom Manhattan apartment. Collecting only what they liked, could carry home on the subway and could afford (while living solely on Dorothy’s income and using Herb’s for art), the Vogels amassed one of the biggest collection of post-1960s minimal and conceptual art in the world which includes such lauded artists as Sol LeWitt, Christo and Jeanne-Claude, John Chamberlain, Chuck Close, Mark Kostabi and Charles Clough.

It’s not every day that you get to play host to a living, breathing masterpiece! The Canadian Art Foundation was lucky enough to showcase Yugoslavian performance artist Marina Abramovic, who was in Toronto for the Canadian premiere of The Artist is Present at the Reel Artists Film Festival. The new documentary film chronicles her prolific and often painful career and follows the preparation for her 2010 retrospective show at the MoMA—she spent more than 700 hours over the course of three months staring into the eyes of museum visitors. Beyond her lifelong love affair with performance art, Abramovic is a designer devotee (having discovered fashion after a particularly nasty breakup); in the film, she’s shown shopping at Givenchy with none other than Riccardo Tisci. It’s no surprise then that the 65-year-old wore head-to-toe Costume National to the premiere, or that she counts Fashion Television’s Jeanne Beker as a fan. At the a swank soiree, held at the TIFF Bell Lightbox and bookended by not one but two cocktail parties, we spotted a smattering of guests from Canada’s creative set including Luminato’s Jörn Weisbrodt (who also made an appearance in the film), the Beckerman clan, and gallery owner Daniel Faria.

View the photo gallery »