FASHION Magazine

See the photos from Toronto Life’s 2014 Most Stylish Party» In what has become a three-year tradition, Toronto Life once again kicked off TIFF for the regular folks (albeit the very rich, glamorous and well-connected ones) last night with its annual celebration of Toronto’s Most Stylish. 2014’s list includes many of the city’s most familiar […]

The post Toronto Life’s Most Stylish 2014: 35 party photos of the city’s fashion folk at their finest appeared first on FASHION Magazine.

While most of the female population breathes heavy during episodes of Say Yes to the Dress, us fashion folk have, shall we say, finer taste. For those who a layer cake of taffeta doesn’t exactly scream “fantasy,” look no further than the summer weddings of these seven Canadian stylemakers. From a larger than life ceremony at the Art Gallery of Ontario to a City Hall visit in Doc Martens and dark jeans, these inspiring gals prove that thinking outside of the box pays off.

See our RAFF opening night gallery »

Did you know that Toronto is home to the world’s only art on film festival? Or that it is in its 11^th year? Probably not. For the past few years, the Reel Artists Film Festival has blown us away with its A-list roster of films, talent and frankly, how underrated it is. This year, RAFF upped the ante yet again by premiering An Economy of Grace, a film about artist Kehinde Wiley and his unique brand of hood-meets-highbrow in pieces that portray African Americans in heroic poses.

At Wednesday night’s opening, the who’s who of Toronto’s art scene fêted the film, hobnobbing with the artist and taking in an onstage Q&A with him and Zoomer editor-in-chief Suzanne Boyd, which focused on the sociological impact his pieces have on his subjects as well as his work with Givenchy.

An Economy of Grace follows Wiley as he creates his first women-only painting series, casting them on the street in Harlem, dressing them in couture gowns and transforming them into large-scale re-imaginations of classic works of art. It also documents the artist’s collaboration with Givenchy creative director Riccardo Tisci, who created the dresses exclusively for the paintings. “When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy,” said Wiley of the partnership. As current fashion plays so comfortably in the arena of high low, Wiley’s work touches on how once impossible that kind of combination would have been. In the days of great master portraiture (Wiley’s work often draws directly from Titian, Ingres, John Singer Sargent and Napoleon painter Jacques Louis David), subjects would have been those with money, wealth and social stature. They certainly would never have been of colour, something Wiley’s work flips on its head.

Read our interview with Kehinde Wiley »

See all the Operanation 2013 party pics »

On Thursday night the Four Seasons Centre was decidedly catering to just one season, with the expansive performance hall transformed into a luscious garden of evil. Filled with party goers and potted plants alike, the green-tinged space was all for the Candian Opera Company’s Operanation fundraising gala, themed as “A Night of Temptation” for its tenth iteration.

While all-black ensembles were by far the most popular fashion statement, texture allowed for individuality. From mesh cut-outs and ruffled pleats to velvet and sequin add-ons, the little black dress (or gown, for that matter) certainly stood out at Operanation. Darker colours, such as navy-blue and deep jade-green—as seen on soprano Leigh Anne-Allen and The Hudson Bay Company’s Megan Loach—provided a different take the all-black trend and should make inky gowns a gala must. And on the opposite end of the colour spectrum, bright primary colours stood out in the sea of dark shades, including Tatiana Read in red, FASHION’s editor-in-chief Bernadette Morra in blue Viktor and Rolf, and a hit of yellow, courtesy Odessa Paloma Parker’s Jeremy Laing number.

See all the party pictures from the Canadian Stage Theatre Ball! »

Based on an informal poll of FASHION’s online department, an event that allows you multiple chances to talk with Jason Priestley is the best event of all. Such was the case at last week’s Canadian Stage Theatre Ball, which celebrated 25 years of the company—a company that just happens to include Priestley in its forthcoming season. The gala event was more cabaret than fundraiser, with Canadian Stage performers singing hits from classic productions as partygoers found their seats for dinner. As an oversized birthday cake was wheeled on stage, Hair’s “Let the Sunshine In” echoed throughout The Carlu. (Though to the dismay of this attendee, no naked hippies jumped out.) “Every time they say CanStage we have to drink!” shouted one guest at the Corus Entertainment table during host Seamus O’Regan’s opening remarks of the evening—and the energy stayed just as palpable until the last guests shuffled off the well-used dance floor at the end of the night.

See the photos from RAFF’s opening night »

As it’s getting to be in Toronto, there are so many festivals, exhibits, parties and things to see, that you can’t very well see ‘em all. And while we once would have lamented over the lack of such a problem, we’ve got it now for better or for worse. In order for a working art mind to grow, you have to work hard not to let any potentially mind-opening experiences fall through the cracks, and that’s why despite the weather, I dragged myself out into the cold on Wednesday night for the opening of the Real Artists Film Festival (RAFF) held at the TIFF Lightbox. In its 10^th year, RAFF brings some of the best art-related documentaries to the city, this year launching with an excerpted version of Megumi Sasaki’s Herb & Dorothy 50×50, the follow-up to the 2008 original, Herb & Dorothy. The original tells the story of Herbert and Dorothy Vogel, the postman and librarian also known as the “proletarian art collectors,” who amassed a collection of almost 5,000 works of contemporary art in their one bedroom Manhattan apartment. Collecting only what they liked, could carry home on the subway and could afford (while living solely on Dorothy’s income and using Herb’s for art), the Vogels amassed one of the biggest collection of post-1960s minimal and conceptual art in the world which includes such lauded artists as Sol LeWitt, Christo and Jeanne-Claude, John Chamberlain, Chuck Close, Mark Kostabi and Charles Clough.

See the full gallery of Operanation party pictures »

Last Thursday opera lovers, patrons of the arts and faces who frequent Toronto’s party circuit came together to support the Canadian Opera Company for Operanation 9: Sweet Revenge. Attendees reflected the event’s theme of high-brow-opera-meets-pop-culture-concert well: Women in floor-length evening gowns navigated the many staircases of the Four Seasons Centre for the Performing Arts with ease—proving there’s no architectural challenge a mermaid dress can’t master—while others used the Centre’s sprawling steps as seating throughout the night.

Actress Gabrille Miller looked stunning in a peplum’d dress from Lucian Matis Fall 2012 while Nelly Furtado had two costume changes throughout the night, starting with a gown by Denis Gagnon and later switching into a Holy Tee dress. On the third floor a group of Argo players attracted many eligible ladies—perhaps the popularity of The Bachelor Canada has given the CFL a new social standing?

View the photo gallery »

Lauded as the hottest art party of the year, the Power Plant’s annual Power Ball fundraiser certainly lived up to expectations last night. Complete with wall-projected animations, Kobos hanging on trees, an old fashioned swing and a pre-party hosted by the much-hyped Soho House, almost 2,000 partygoers danced into the wee hours while carving off pieces of Marc Thuet’s bison on a spit. Some of our favourite duos—The Society’s Ashleigh Dempster and Amanda Blakely, designer Philip Sparks and NOW’s Andrew Sardone, Knot PR’s Amy Burstyn-Fritz and Tatiana Read, designer Jeremy Laing and Frank Griggs, and eTalk’s Tanya Kim and CP24’s Melissa Grelo—flitted around the scene. There was a mock television talk show (which we took part in) with a dancing robot sharing hosting duties. There was a performance by Dragonette. There were ladies dressed as sailors and men dressed as women. There were, always, many types of cocktails a-flowing (shout-out to Grey Goose, who created a timely Diamond Jubilee mix at the pre-party). Surely, more highlights will come to us throughout the day, but we can’t be asked to recount them all, given how late we were up.

View the photo gallery »

Last night, the sister duo behind one of fashion’s darling labels, Rodarte, descended upon Toronto for a fête in their honour at the Bay’s glittering designer den, The Room. As the finest champagne flowed, the city’s finest, freshly sunned partygoers crowded around Laura and Kate Mulleavy to get a look—albeit a look-but-don’t-touch. “You can’t just sidle up beside them and say, ‘I love you,’” one guest lamented. And isn’t it strange but true? The moment one of your idols is presented on a platter, the nerves tend to overcome. Such wasn’t the case, however, for Toronto’s version of the sister power duo, Chloé and Parris Gordon of Chloé Comme Parris, who got in there to articulate their crush. (I was afforded a private one-on-two with the designers earlier in the day, the gush-laden results of which are forthcoming).