FASHION Magazine
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Gag Me with a Spoon! Our Editors Reveal Their High School Beauty Looks
Overplucked eyebrows, bad perms and hair that has yet to see the heat of a flat iron. You name a questionable beauty look and chances are one of our editors has lived it. So in the spirit of going back-to-school, some of our editors combed through high school yearbooks, family photo albums and Facebook to see […]
The post Gag Me with a Spoon! Our Editors Reveal Their High School Beauty Looks appeared first on FASHION Magazine.
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Spring 2014 editors’ picks: 8 real-life buys inspired by our favourite runway looks
Forget sports: We’re all about a fashion fantasy draft. FASHION’s editors share their favourite runway looks and the real ways to wear them come springtime.
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Holt Renfrew’s Uncrate India party: Waris Ahluwalia poses for selfies, guests go all out with sari-inspired style
See the photos from Holt Renfrew’s Uncrate India party »
We gave you a behind-the-scenes peek at how Alexandra Weston and Waris Ahluwalia curated the Holt Renfrew H Project Uncrate India collection. We shared 50+ artisanal items from the collection. And now it’s time to take a look at the incredible bash that Holt Renfrew threw last night in celebration of it all. The Bloor Street store was transformed into a vibrant Indian market, welcoming hundreds of guests adorned in sari-inspired attire. Rooms were tented with pink and orange fabric for an intimate feel, gilded bird cages stuffed with flowers hung from the ceilings and guests were greeted upon arrival with a shower of rose petals. But the lavish extravaganza didn’t stop there.
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Michael Kors hits Toronto! Inside the designer’s whirlwind trip
See the photos from Michael Kors’ Toronto visit »
“Just when you thought you had everything, along comes a camouflage mink stole,” drawled Michael Kors, as a model glided into Holt Renfrew’s café in an outfit from his Fall 2013 collection.
The mini-show followed lunch for 20 or so top clients at Holt’s Cafe yesterday following a fête at his Bloor Street store on Wednesday night, with hostess Hilary Weston presiding over the affair in an aqua Oscar de la Renta tunic and pants.
Elsewhere there was much Michael Kors Spring 2013 about, including a dermatologist in a colourblock dress, and a capital markets trader a peony pink sheath. After tucking into sweet pea ravioli, lobster over fried green tomatoes and a sliver of cheesecake, there was an exodus downstairs to the racks of fall clothes available for special order.
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They said/We said: A recently released book discusses the dangers of fast fashion
It’s hard to think we could ever have anything but unbridled excitement for a $20 Céline-esque find at the mall, but a recently released book is warning that fast fashion’s trend machine may have some serious repercussions.
In Elizabeth L. Cline’s Overdressed: The Shockingly High Cost of Cheap Fashion, she points a finger at fast fashion retailers like Zara, saying they may be churning out cheap wares at the cost of much more: namely, our planet, our market and our wallets (not to mention our groaning, filled-to-the-brim closets).
“In a very short period of time clothing has gone from something that we need to save up for and something that people valued and took care of, to something that is an impulse and disposal purchase,” she told Fashionista.
We see her point: most of us get a cheap retail fix at least once a week, which is an entirely different approach than generations past, when women used to save up and invest in clothing (what’s more, their clothes were usually custom-made). And we can’t argue with the fact that cheap fashion giants are our first stop when we want to try a brand new trend without the big financial investment.
According to Cline, the issue is that despite the fact that our clothes cost less, we’re consuming more of them. Cline says we’ve developed a toss-away attitude to passé trends, throwing away our month-old rayon or polyester wares only to immediately replace them with the latest week-old offering.
Not only is this bad for our bank accounts and our wardrobe, she says, but fast fashion companies either place pressure on or drive out niche companies. Many independent retailers are forced to drastically reduce their level of craftsmanship, while others simply can’t keep up with the competing rate of production and close up shop. Finally, Cline points out that the more we consume, the more strain we place on our natural fiber providers, meaning that more and more clothes will be created out of synthetic materials.
What do you think: does Cline have a point, or is she ignoring the fact that many of us dabble in both high and fast fashion, and that there’s a place for both?
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They said/We said: Anna Wintour speaks out about Vogue’s glamourized profile of Syrian first lady Asma al-Assad
At long last, Anna Wintour has finally spoken out about the controversy surrounding Vogue’s glamourized portrayal of Syrian first lady Asma al-Assad last year, as well as addressed the atrocities that are ongoing in Syria today.
“Like many at that time, we were hopeful that the Assad regime would be open to a more progressive society. Subsequent to our interview, as the terrible events of the past year and a half unfolded in Syria, it became clear that its priorities and values were completely at odds with those of Vogue,” Wintour said in a statement Sunday.
The “Asma al-Assad: A Rose in the Desert” feature, which was penned by former Paris Vogue editor-in-chief Joan Juliet Buck, described the beautiful, British-born al-Assad as “glamorous, young, and very chic—the freshest and most magnetic of first ladies.”
Almost immediately after the feature went live, news of the conflict and violence happening under her husband Bashar al-Assad’s dictatorship became public, and the situation in Syria has only worsened over the past year and a half. In fact, yesterday the UN’s annual shame list on children and armed conflict was released, naming Syria as one of its worst offenders.
Buck herself spoke out about the feature in the wake of all its uproar.
“I think that Vogue is always on the lookout for good-looking first ladies because they’re a combination of power and beauty and elegance…that’s what Vogue is about. And here was this woman who had never given an interview, who was extremely thin and very well-dressed and therefore, qualified to be in Vogue. And they had — Vogue had been trying to get her for quite a long time,” she told NPR. Should have stopped at “lookout.”
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They said/We said: Katie Holmes gets nakie for her new jewellery campaign
Wowza! Katie Holmes is looking like we’ve never seen her before in ads by luxury jewellery brand, H.Stern. The usually demure (and somewhat eerily modest) 33-year-old actress and mother proves that she has still got it (or at least finally found it), sporting H.Stern jewels, wind-swept hair, kohl eyeliner, and not much else.
Sprawled on the beach and draped in regal jewellery, the drop-dead gorgeous Scientologist (there’s something we don’t say everyday!) glares intensely into the camera. We’ve got to ask, is anybody really noticing the jewellery?
The ads are currently running in Israel, but will grace America with their presence this fall.
THEY SAID:
Celebuzz: “In case anyone was wondering, yes, Katie Holmes has still got it.” [CELEBUZZ]
Global Grind: “We wonder what the Church of Scientology will have to say about Katie Holmes’ steamy new H. Stern advertisements.” [Global Grind]
E! online: “From stunning to sizzling! We get to see a whole lot more of Tom Cruise‘s better half. Make that sexier half!” [E!online]
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What’s in your bag, Caitlan Moneta?
Next up, we go inside the bag of our assistant fashion editor, Caitlan Moneta. Just like Caitlan, this bag is totally chic on the outside, and a little funny on the inside. We’re opening her Prada tote to find hotel pens, double lip balms, and the most mysterious… clamps.
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They said/We said: Vogue Italia blames “bad translation” for their “slave jewellery” gaffe
By Louise Coleman
More than 150 years after the American Civil War and 50 years after the civil rights movement, we’re pretty sure that using the term “slave” to denote a style of dress still ain’t kosher. Apparently Vogue Italia didn’t get the message. An article for the magazine’s website headlined “slave earrings” has caused a major outcry, resulting in editor-in-chief Franca Sozzani apologizing and citing “really bad translation.”
The article stated, “Jewellery has always flirted with circular shapes, especially for use in making earrings. The most classic models are the slave and creole styles in gold hoops.” The piece then goes on to explain that the word “slave” should inspire thoughts of “women of colour” during the slave trade—an image of “pure freedom.” Umm, what?
After twenty pages of (mostly) furious comments and a barrage of negative tweets, the article has since been removed from the website.