FASHION Magazine

Oh, how we love red carpet season. It seems that weekly, we’re showered with stunning photos of Hollywood’s A-List showing off like it’s nobody’s business. (Well, actually, it is our business.) At last night’s Screen Actors Guild Awards, it seemed that this year’s nominees and stars were channeling their onscreen roles, with Michelle Williams in a va-va-voom lace Valentino, Shailene Woodley in a Hawaiian-esque floral-print L’wren Scott, and Emma Stone in a retro-shaped Alexander McQueen cocktail number. So, who wore it best? Check out our top 8 and vote for your favourite.

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Footwear designer Nicholas Kirkwood is designing two styles for London label Peter Pilotto, set to debut at London Fashion Week. Though Kirkwood has designed shoes for design duo Peter Pilotto and Christopher De Vos for the past two seasons, this is the first time the world at large will be able to get their hands on the collaboration. [WWD]

U.S. Senator Charles E. Schumer has introduced a bill that would seek to protect fashion designers from infringement. The Innovative Design Protection and Piracy Prevention Act is supported by the CFDA. If the bill passes, those seeking damages “must show that his design provides “a unique, distinguishable, non-trivial and non-utilitarian variation over prior designs” and show that the copy is nearly indistinguishable from the original. [ NY Times]

Angelina Jolie’s first modelling photos are up for auction this Friday. The photos, taken by Harry Langdon when Jolie was 15 years old, are being sold by California auction house Profiles in History as part of a glamour photography sale. [Vogue UK]

Heather Locklear‘s daughter, 12-year-old Ava Sambora, sashayed down the runway this past weekend at L.A. Fashion Week, making her catwalk debut for the White Trash Beautiful show, a line created by her rocker dad, Richie Sambora, and designer Nikki Lund. [Stylelist]

Over the weekend Terry Richardson spoke out on his blog about the recent heat he’s gotten from female models he has worked with, saying, “I just want to take a moment to say I’m really hurt by the recent and false allegations of insensitivity and misconduct. I feel fortunate to work with so many extraordinary people each and every day. I’ve always been considerate and respectful of the people I photograph and I view what I do as a real collaboration between myself and the people in front of the camera. To everyone who has embraced and supported me and my work, I am so grateful. Thank you, it means a lot.” [Fashionologie]