FASHION Magazine

As runway light bounced off intricate embroidery at the Mikael D Fall 2014 show, the skin gleamed just the same. M.A.C senior artist Jane McKay drew inspiration from the opulence of Baroque textures and designed a fresh-yet-glamorous look. Radiance was an important element in the makeup: “It’s all about the play of light bouncing off the skin,” said Ricky Boudreau, M.A.C cosmetics trainer, who led the team backstage.

Models’ skin was moisturized with Strobe Cream and kept lustrous with a light application of Mineralize Moisture Foundation and Concealer. Boudreau softly sculpted the cheeks with Sculpt Powder and added an additional hit of illumination with an iridescent loose powder—“Silver Dusk”—applied around the eye, from brow to cheekbone. Brows were simply groomed with Brow Set in “Clear.” Finally, eyelids were drenched in bronzed gold tones and intensified with a set of MAC #33 lashes and multiple coats of mascara. Boudreau pressed a layer of “Half & Half” lipstick into the lips with his fingers for a neutral pout.

“This hair is chaotic⎯it’s an organized mess,” said Paul Pereira, Schwarzkopf Essential Looks Stylist who enlisted OSiS Dust It mattifying powder and OSiS Freeze hairspray to achieve the big volume and tumbleweed-like textured updos that reminded us of the lopsided beehives at Vera Wang’s Spring 2011 show. The organized part revealed itself when the models turned around. “Lucian wanted the nape of the neck to show,” said Pereira, so he created a tight and tiny French braid that ran up the back of the head to meet the messy portion.