FASHION Magazine

See the backstage pictures from Greta Constantine Fall 2013 »

“A sense of tribal,” is how Stephen Wong—one half of the Greta Constantine design duo—described the beauty look for the label’s Fall 2013 collection. When presenting the looks last night, models were turned into fierce warriors, goddesses and Amazonians with textured hair, smoky eyes and geometric, neutral nails. “We took our cues from Oribe [Canales], a hairstylist who did all the supermodels in the ’90s,” Wong says. “I remember looking at the shows he’d do and thinking the hair was amazing. It had a sense of tribal, but very cool and modern feel to it.”

Sebastian core stylist Daniel Di Tommaso was the lead for the three different hairstyles, inspired by three variations of tribal. “All three hair looks were tight on the sides but textured on top to blend all the girls together.”

See how to do the halo braid with our holiday hair tutorial »
See other holiday hair tutorials »

Braid enthusiasts, this one’s for you! The halo braid (otherwise known as a milkmaid braid or braided updo) takes practice but is beyond impressive once it’s mastered. From Erdem to Valentino to Emerson, halo braids keep showing up on the runways season after season, and the red carpet has followed: Keira Knightly, Scarlett Johansson, Ashley Olsen and Elle Fanning have all embraced halo braids. So when it comes to holiday hair (think: New Year’s Eve hair!), this style is certainly a showstopper.

If you’re confident in your French braiding skills this will be an easy holiday hairstyle to master. But newbies, don’t fret! Our step-by-step guide was developed in conjunction with Toronto-based hairstylist Margot Keith and takes all the confusion out of this complicated style. If you dream of doing a halo braid for New Year’s Eve, dedicate one of your lazy holiday afternoons to practicing your braiding skills. After a few test rounds we promise you’ll get the hang of it. And, like all of the styles in our series of holiday hair tutorials, the halo braid works well beyond Christmas, Hanukkah and New Year’s Eve parties. (So be sure to right-click save our handy one-page guide for future reference!) Ready to start braiding? Read on to see how this holiday hairstyle is done.

See how to do the deep side part with our step-by-step directions »

Holiday season is here, and with it comes an endless number of parties and social engagements—which also means an equally endless amount of time spent primping and prepping. But don’t fret, we’ve got you covered. Over the next two weeks we’ll be sharing holiday hair and makeup tutorials, complete with step-by-step, foolproof directions on how to get each look. Inspired by runway looks and red carpet styles alike, our holiday hair tutorials will ensure you look your best all season long. First up: the deep side part.

The deep side part is definitely having a red carpet moment—Kristen Stewart did it best at the Los Angeles premiere of Breaking Dawn Part 2 and other stars are taking note. A mix of Old Hollywood and modern style, the trick to keeping a deep side part under control is all in the twist: Instead of parting your hair and hoping for the best, this holiday hair tutorial shows you how to secure it back with a modified braid. Our step-by-step guide was developed in conjunction with Toronto-based hairstylist Margot Keith and takes all of the guess work out of making your hair holiday party-ready. (Even better, each of the styles in our series of holiday hair tutorials will work well beyond Christmas, Hanukkah and New Year’s Eve parties, so right-click save our handy one-page guide for future reference!) Ready to learn how to master the deep side part? Read on to see how this holiday hairstyle is done.

See the full Greta Constantine Spring 2013 backstage beauty gallery »

The inspiration:
Daniel Di Tommaso, Sebastian core stylist: “Super, super tight and very, very shiny. [Kirk Pickersgill and Stephen Wong] wanted to make sure that when we pulled the hair back it was almost stretching the eyes.”

Melissa Gibson, M.A.C makeup key: “[Kirk Pickersgill and Stephen Wong] sent a photograph that had a kind of ’50s-ish feel to it [and then] we were talking about the clothing which is so structured, and you think, ‘architectural, how does that come into makeup?’ The idea behind a graphic liner [is that] it’s still a play on what a ’50s liner would be if you were to modernize it, make it a bit more edgy and structural.”

Get the look:
– The super-tight ponytail for Greta Constantine Spring 2013 was actually created by bonding two ponytails together. After wetting down the hair, Di Tommaso brushed Sebastian Shine Crafter Wax through to tame any flyaways. Hair was brushed back into bump-free ponytails and the ends were rope knotted into a bun and pinned down to the head as tightly as possible. Many Sebastian products were layered to achieve a high-shine, but Liquid Steel Concentrated Styler was what made the look: Di Tommaso brushed the Liquid Steel directly to models’ heads, lacquering the hair into place.

See the full backstage gallery from Jeremy Laing Spring 2013! »

While the details on Jeremy Laing’s Spring 2013 collection echoed the ’90s, the beauty was tinged with elements from the ’70s. “Jeremy wanted the girls to look really handsome and sort of have this ’70s-eqsue feeling,” explained Greg Wencel, Cover Girl makeup pro. Also at play was a mix of textures: glossy eyelids contrasted with matte skin, which had been prepped with Cover Girl + Olay Simply Ageless Serum Primer ($18, well.ca) to keep shine at a minimum. Instead of eyeshadow, Wencel used Cover Girl Cheekers blush in “Iced Cappuccino” and “smoked it out on the eye and under the eye socket.” He then used the same blush to sculpt a high cheek bone but diffused it for a soft, modern effect. Because lashes and brows were left bare Wencel added some dimension to the eye with Cover Girl LiquilineBlast in “Brown Blaze” ($10, well.ca), but applied it by putting the product on the back of his hand and picking up some of the pigment with a fluffy brush. The final step was glossing up the eye with a dab of clear Cover Girl WetSlicks lip gloss ($7, well.ca) for what Wencel called “a ’70s high gloss shine.”