FASHION Magazine

As the Internet, every friend or your internal Queen Bey clock have already alerted you to, Beyoncé released her fifth album exclusively on iTunes just before midnight last night. Quietly, elegantly and with the regal control we’ve come accustomed to with the superstar, she one-upped the leakers by being the first to release the self-titled album to the grovelling masses. “I didn’t want to release my music the way I’ve done it. I am bored with that,” she says via video press release. “There’s so much that gets between the music, the artist and the fans. I felt like I didn’t want anybody to give the message when my record is coming out. I just want this to come out when it’s ready and from me to my fans.”

Beyoncé is 14 tracks, 17 videos and features a never-ending contributor roster ranging from Frank Ocean and Drake to Terry Richardson and Jonas Åkerlund. Blue Ivy’s in there too, as is her pops Jay-Z. According to the press release, Beyoncé has been recording the songs and filming the videos for over a year while on her Mrs. Carter Show World Tour which is a feat cause a) how the eff does one even function on so high a frequency and b) how the eff did not one of the zillion contribs and/or innocent bystanders (like any of these people) say a thing? Likely to be revealed later: Scarlet letter Bs imprinted on the bodies of 100 music moguls.

See the MTV Movie Awards red carpet photos »

Last night, some of our favourite young starlets and celebrities hit the red carpet for the MTV Movie Awards where they handed out and were awarded 2013’s batch of golden popcorn statues for their important work as “best villain” and “best kiss.”

As with most red carpets that are skewed towards teens, there were some major misses by so many “stars” we have never actually heard of, but we will skip those in favour of those who hit it out of the park. MTV’s House of Style host Karlie Kloss looked like a smokeshow in a two-piece Cushnie and Ochs ensemble. The white-hot bodycon ensemble was finished off with a pair of Gucci heels. To boot, her new-to-2013 cropped bob was looking superb with an accentuated part. Zoe Saldana also showed off some skin in a Givenchy Fall 2013 (hell yes to friends in high places) look that matched florals with sheer polka dots and a thigh-high slit.

Chloe Grace Moretz was a denim dream in a patchwork Louis Vuitton dress and studded T-strap heels. She kept her beauty on the simple and age-appropriate side with a messy waterfall of curls and fresh faced skin. On the complete flip side, simple was not the name of the game for Selena Gomez who wore an embellished Julien Macdonald mini dress with a bouffant that transitioned into a side-braid.

Amidst the mass hysteria (how else could one describe it?) that was the Dior succession saga of 2011/2012, you may have heard the name of a little-known French couturier, Maxime Simoëns, thrown around. And while those rumours may have been totally unfounded, today’s announcement that LVMH would be investing in his eponymous line has made it crystal clear that his is one name to remember.

In a surprising turn of events, LVMH head honcho Bernard Arnault has invested a significant but undisclosed amount in the 27-year-old’s two-years-young label. And while Arnault is famous for treating the global luxury market as one gigantic game of Hungry Hungry Hippos (hint: LVMH=the hippo, everyone else=the balls), the mogul almost never invests in new labels.

Despite his young age, Simoëns is no stranger to the fashion world. He studied fashion at the famed École de la Chambre Syndicale de la Haute Couture and then apprenticed at Elie Saab, Jean Paul Gaultier, Balenciaga and—get this—Dior under Galliano. Not to mention his Maxime Simoëns line that shows during Paris Couture Week and his bevy of celebrity clients (mostly French) including Canadian Rachel McAdams.

Arnault must think the wunderkind has got some serious talent—and with his track record, can you blame him? This has people wondering if Simoëns is being readied to take the reins at one of LVMH’s more established labels. Could we see Simoëns at Givenchy post-Tisci? Or at Fendi post-Karl? Given this year’s intense, never-ending game of fashion musical chairs (Jil! Raf! Stefano! Hedi!), we can’t help but applaud Arnault’s foresight.