FASHION Magazine

The designer didn't hold back.

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A fashion show wreaks environmental havoc in Malibu, LVMH CEO is now the world's second-richest person and more...

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French billionaire François-Henri Pinault, husband of actress Salma Hayek, has already pledged over 100 million euros.

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To those who came to late teens in the early ‘00s, Marc by Marc Jacobs is like the Holy Grail: Unknown enough to be coveted by the anti-Juicy, expensive enough to become birthday present material and the perfect toe dip into high fashion price points. Well, today it was announced that Marc by Marc as […]

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Mademoiselle C For those of us who fantasize about spending a day in Carine Roitfeld’s shoes (guilty), a soon-to-be-released documentary is sure to satisfy that itch. The film, titled Mademoiselle C, promises an inside glance into the glamorous life of the ex Vogue Paris editor in chief. The documentary, directed by Fabien Constant, features Roitfeld […]

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Amidst the mass hysteria (how else could one describe it?) that was the Dior succession saga of 2011/2012, you may have heard the name of a little-known French couturier, Maxime Simoëns, thrown around. And while those rumours may have been totally unfounded, today’s announcement that LVMH would be investing in his eponymous line has made it crystal clear that his is one name to remember.

In a surprising turn of events, LVMH head honcho Bernard Arnault has invested a significant but undisclosed amount in the 27-year-old’s two-years-young label. And while Arnault is famous for treating the global luxury market as one gigantic game of Hungry Hungry Hippos (hint: LVMH=the hippo, everyone else=the balls), the mogul almost never invests in new labels.

Despite his young age, Simoëns is no stranger to the fashion world. He studied fashion at the famed École de la Chambre Syndicale de la Haute Couture and then apprenticed at Elie Saab, Jean Paul Gaultier, Balenciaga and—get this—Dior under Galliano. Not to mention his Maxime Simoëns line that shows during Paris Couture Week and his bevy of celebrity clients (mostly French) including Canadian Rachel McAdams.

Arnault must think the wunderkind has got some serious talent—and with his track record, can you blame him? This has people wondering if Simoëns is being readied to take the reins at one of LVMH’s more established labels. Could we see Simoëns at Givenchy post-Tisci? Or at Fendi post-Karl? Given this year’s intense, never-ending game of fashion musical chairs (Jil! Raf! Stefano! Hedi!), we can’t help but applaud Arnault’s foresight.

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With the rumour mill still churning about Marc Jacobs’ impending new home (or house, actually) at Christian Dior, the Louis Vuitton show was one of the hottest tickets in town. Starting promptly at 10 a.m., glam front-row guests like Olivia Wilde, Natalia Vodianova, and Delphine Arnault (daughter of LVMH CEO Bernard Arnault) quickly took their seats as a giant round curtain went up to reveal the most magical sight: a whitewashed carousel packed with the show’s models atop moving horses. One by one they stepped off the carousel and walked the circular runway in gorgeous confections that looked like they came straight from Ladurée: organza-wrapped dresses, pastel-coloured laser-cut lace skirts, powdered crocodile bags, flower appliqués, diamond wishbone necklaces, mirrored woven metallic bags, and Mary Jane mules. As for that famous name who closed the show? Wearing a sequined and feathered minidress and tiara, Princess Kate (as in Moss) was the final fairy to grace this fashion fairytale.

“You’re a smart girl. You don’t need to work in fashion.”

The white-haired retiree uttering those words to a wide-eyed MBA grad who expressed interest in the clothing industry was oblivious to the fact that I was reeling from his remark.

Nor did anyone else around the breakfast table at a friend’s cottage twig to the fact that I had just been insulted. At one time, I would have piped up and suggested he ask billionaire Bernard Arnault, chairman and CEO of LVMH, whether he thinks there is any upside to a brilliant business mind in fashion.

By Louise Coleman

Recently, we talked about the rumours speculating Marc Jacobs’ move from Louis Vuitton to Dior; but today the issue has gained further momentum. Dun dun dun!

Sources claim that Bernard Arnault has officially named Jacobs as Galliano’s replacement at Dior, and an announcement is forthcoming. Moving down the fashion industry ladder, our next question inevitably is: Who will be replacing Jacobs at Vuitton?

Surprisingly, or not, all fingers point to Phoebe Philo, the woman credited for turning around the now-coveted Céline. Don’t fret, Céline lovers—it appears that Philo will simultaneously act as Céline’s creative director, meanwhile taking on Jacobs’ job at Vuitton. Pressure much?

As is the case with virtually any news story these days, the developments in the John Galliano story⎯the designer being accused of hurling anti-Semitic insults at an (incidentally non-Jewish) couple while drinking at the Paris café, Le Perle⎯can be measured in tweets, quotes and snippets. Given the proliferated speed at which these bits are published and publicized, it’s amazing to witness how quickly the industry’s reaction has gone from appalled to forgiving to looking forward to the designer’s imminent replacement at Dior. Given the industry’s propensity for forgetfulness⎯history has made fools of those who once condemned Coco Chanel for her involvement with the Nazis or Kate Moss for being caught with cocaine⎯we have no doubt that Galliano will be back at the top in no time. All references to the frankly horrifying severity of his remarks will vanish and whereas Chanel’s and Moss’s actions took years to do the same, Galliano’s have almost done so in a matter of 14 days. Meanwhile, as rumours swirl for a possible replacement by Riccardo Tisci, Alber Elbaz and Marc Jacobs, we take a look back at the quickest judgment turnarounds in fashion history.