FASHION Magazine
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Tour de Force: When makeup artist Gina Brooke needed a red lip colour that would withstand Madonna’s every stage move for her next tour, she called Make Up For Ever
By Celia Ellenberg
I kind of feel like we’re gonna get banned in Italy,” Gina Brooke jokes over her first coffee of the day. It’s around noon on a rainy May day in midtown Manhattan and the makeup artist is coming off another late-night-turned-early-morning rehearsal for Madonna’s MDNA tour. “The first section of the show, the first big song, is crazy. It’s super vixenish and she’s like this superwoman. It’s very sexy. Her hair, the eyes, the skin—it’s beautiful. She comes out and does something very controversial,” Brooke says, alluding to the “nip slip” that would be discussed around the world a few weeks later.
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The cat-eye: We look to icons of different eras for inspiration—plus, tips for painting your own
The cat-eye is having a moment. Celia Ellenberg takes us through its many versions over the years and finds out how to execute them.
While spring tends to signal the arrival of all beauty things light and bright, the runways told a different story this season as designers embraced a certain graphic cosmetic accoutrement that’s seen an impressive evolution over the past few centuries. Behold, the rebirth of the cat-eye. Black-rimmed upper lash lines were the makeup look of choice at shows such as Ruffian and Dolce & Gabbana, and while the backstage miracle workers made it look easy, mastering the perfect flick on your own can be a different story. We’ve gathered eight eyeliner icons and asked Hourglass Cosmetics’ artistic director Gina Brooke and makeup artist Pati Dubroff to weigh in on whether the liquid pen is truly mightier than the kohl pencil when it comes to crafting the perfect winged liner. Because, according to Brooke, “if you use the right products, getting the look is not an issue.”
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CLEOPATRA | AUDREY HEPBURN | SOPHIA LOREN | BRIGETTE BARDOT | BETTY DRAPER | KATE MOSS | AMY WINEHOUSE | ADELE