FASHION Magazine
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Fefe Dobson Is Ready for Her Next Act
Fefe Dobson has always been good at getting her point across. And when she emerged onto the early aughts pop rock music scene at just 18 years old, she kind of had to be. Back then, the genre was “a boy’s game,” she explains. “When I was about to go on stage, I could feel […]
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Avril Lavigne Is Not Dead — & She’s Not Dumb
Avril Lavigne is making music again. At least, that’s what they want us to believe. The French-Canadian singer—the same one (allegedly) who emboldened an entire generation of early aught teens to wear skinny ties and crash suburban shopping malls—is releasing her sixth studio album, Head Above Water, this Friday. Her return to the radio comes after a health-imposed […]
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These Might Just Be the Most Punk Dr. Martens Ever Released
Dr. Martens boots – or as they’re better known, Docs – have long been the uniform of angsty, rebellious youth. Since their inception in 1960, the uniform of counterculturally-inclined youths changed significantly, but you can pretty much guarantee that a pair of tight-laced Dr. Martens boots will be planted firmly on their feet. Initially valued […]
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Meet the Women Defiling their Designer Bags with Punk Rock Patches
Claudia McNeilly got her Louis Vuitton Neverfull as a gift, but there was something about the designer carryall that made the 25-year-old food writer feel self-conscious. The iconic monogram was too popular for her taste. Creative by nature, she slapped some embroidered patches onto the bag: a Casper the Friendly Ghost one with “Ready to […]
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An easy chain-embellished glove DIY inspired by Versace’s “Vunk” collection
From a Met Costume Institute exhibit earlier this year to FASHION’s current cover girl, it’s clear that punk is trending. All year round, designers like Saint Laurent, Rodarte, Jean Paul Gaultier and Junya Watanabe embraced rebellion with biker jackets and grungy accoutrements. Donatella Versace went head over heels for the trend for Fall 2013, even […]
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Fall 2013, Illustrated: Jamie Lee Reardin dreams up 5 of this season’s iconic looks
See Jamie Lee Reardin’s Fall 2013 sketches »
For the fashion-minded folk, fall is the time to go big or go home. It’s the time to fantasize about impossibly elegant wardrobes full of designer duds so delicious that they only exist in your dreams. We’re all about perpetuating fantasy, and today, we’re doing just that with the help of Los Angeles-based and Toronto-born illustrator Jamie Lee Reardin. Known for her leggy drawings of fashion icons for Moda Operandi, V Magazine and Dior Beauty, Reardin took her usual pencils to the next level by illustrating five of Fall 2013’s strongest looks using the insanely cool Windows app, Fresh Paint. The app, which we discovered on HP’s light as a feather Envy x2 tablet while on a trip to Stockholm with Windows earlier this year, allows you to paint on the screen, literally, with the use of sensor-induced paintbrush. It’s like using an oil canvas, but easier!
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Riot Act: A look back at punk’s wild influence on fashion
See punk fashion on the runways »
When the Sex Pistols burst onto the scene in 1976, their spitting anarchist anthems were the antithesis of high fashion. But these days, a studded leather motorcycle jacket is as covet-worthy as a designer bag.
Opening on May 7, the Metropolitan Museum of Art in New York shines the spotlight on this rebellious movement with its latest Costume Institute exhibition, Punk: Chaos to Couture. In its early days, British punk rock bands like The Clash forced safety pins through leather while Patti Smith, The Ramones and Blondie’s Debbie Harry holed up at New York’s legendary dive bar CBGB in tattered T-shirts and ripped jeans as a protest against the city’s glitzy disco scene.
Designer Vivienne Westwood’s punk roots also run deep—in 1976 she cultivated many of this era’s DIY hallmarks at her London boutique, Seditionaries, which she owned with then-boyfriend, visual artist and Sex Pistols manager Malcolm McLaren. The duo’s endlessly creative takes on rebellion helped shape the unofficial punk uniform, with reappropriated patriotic symbols including Queen Elizabeth II’s face and the Union Jack. The movement’s raw aesthetic gained mainstream appeal in 1977, when British designer Zandra Rhodes used exposed seams, strategic rips and bondage-like accents on her floor-length dresses.
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On the eve of No Doubt’s comeback, we look back at Gwen and the band’s top 10 fashion moments (bindis, braces and all!)
If you were a girl growing up in the ’90s, chances are you were nearly as obsessed with Gwen Stefani and her ska-punk band No Doubt as we were (and I say nearly because I actually had a No Doubt fan club, gang handshake, album-touting policy and all). Stefani was (and is) the ultimate female role model: she rolled with the boys, created girl-empowering anthems and made it okay to have off-kilter, zany style, leading tons of Stefani-clones as she blazed from one look to another. My fan club may have broken up 12 years ago, but that doesn’t mean we weren’t still incredibly excited to hear Stefani and the boys were making a comeback, one that’s well underway now that their latest single “Settle Down” has just been released.
Making a new club in honour of their comeback is probably out of the question (we just don’t have the same amount of free time that our tween selves had), but we can pay tribute to the always-stylish Stefani and her boys by counting down their top 10 fashion moments!
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Summer music guide: Our hot list features Metric, Grimes and more
Because summer is the ultimate time for tunage, we’ve picked out a few of our favourite ladies to listen to while you’re busy sitting on the dock of the bay.
METRIC | GOSSIP | GRIMES | EMELI SANDÉ | MELANIE FIONA
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Q&A with Betsey Johnson
The iconic designer on her new Archive collection for Opening Ceremony.
How did you pick the pieces that you reproduced for your Betsey Johnson Archive collection?
“Well, I felt that the punk label– you know vintage dealers seem to call it the punk label— it was when we opened from 1978 through about 1990. It was cotton and it had kind of like a Keith Richards-esquey self-photograph of myself on this label, very inexpensive very punky, very, you know, funky because we had very little money.