FASHION Magazine
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Nudity in the cemetery? This image must be from Carine Roitfeld’s new magazine…
Condé Nast blockade or not, the hype surrounding Carine Roitfeld’s forthcoming publication CR Fashion Book is showing no signs of flagging, especially after the big unveil today of the glossy’s first full image. The much-anticipated image went live on the magazine’s home site this morning and shows Dutch model Juliet Ingleby striding through a cemetery […]
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Model Kate Upton is apparently a “lazy, lardy piggie”
Kate Upton’s in-your-face rise to fame may not have had unanimous support, but even the model’s harshest critics have generally credited the girl for having an amazing body. Though she obviously caters more towards the Sports Illustrated crowd, her curvy, feminine figure has been a refreshing (though envy-inducing) change for many women too, especially when compared to the pole-like bodies so often sent down the runway.
However, according to a “pro-thinspiration” site run by an anonymous blogger, Upton is a “lazy, lardy” piggie. The writer, who described herself as a former model who weighs in at 100 pounds, posted images of Upton in a bikini, deeming the blonde bombshell as “a solid 30 lbs too heavy” to wear it.
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Just released: Givenchy’s Fall 2012 ad starring Stella Tennant makes us want to rave
Now here’s a rave we’d actually like to go to: a dancing Stella Tennant, thumping electronic music and a Givenchy wardrobe. Much more chic than the usual glow-in-the-dark sticks and face paint. The fractured images of Tennant shimmying under a stormy sky in violet Givenchy are meant to capture the electric euphoria of a rave […]
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They said/We said: Condé Nast reportedly forbids its contributors and employees from working with Carine Roitfeld
In a move that could be straight out of The Devil Wears Prada, the New York Post’s Page Six is reporting that Condé Nast is pulling out all the stops in its attempt to freeze out former Condé editor Carine Roitfeld.
A source told Page Six that Condé Nast CEO Jonathan Newhouse sent out a friendly “reminder” to contracted contributors like Mario Testino, Craig McDean, David Sims and the Mert Alas/Marcus Piggott team about their exclusive contracts with Condé, and that contributing to Roitfeld’s new biannual glossy CR Fashion Book would violate their agreements.
Even those who are not under contractual obligation with Condé Nast are being strongly “discouraged” from contributing to CR, which will be published by Fashion Media Group LLC.
After having left her post as editor-in-chief of Vogue Paris amid a flurry of rumours (most hinting at tensions between Roitfeld and Newhouse), the fashion industry was abuzz with excitement over what direction the always edgy and fascinating Roitfeld would take. So far, all her ventures have been far from disappointing.
Given Roitfeld’s popularity with the who’s-who of the fashion world, it will be interesting to see how this rumoured power struggle unfolds. We can only imagine the number of advertisers, brands, editors and photographers who are caught between a desperate desire to collaborate with Roitfeld and the fear of some serious backlash from publishing heavyweight Condé Nast.
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The scoop on Chanel’s latest art project and all the celebrities who were there to toast to it in New York
See all the Chanel party attendees! »
The jump from mere popularity to timelessness is a big one, and very rarely does an item cross the gap. The few styles that have become truly timeless (take jeans and the classic white T, for example) usually aren’t solely owned by one brand. The little black jacket, on the other hand, has one very famous creator: Chanel.
To celebrate almost 60 years of LBJs, Karl Lagerfeld and Carine Roitfeld have collaborated on the book The Little Black Jacket: Chanel’s Classic Revisited, which will be released this fall. The book features over 100 images of 109 celebrities, ranging from Monégasque royalty Charlotte Casiraghi to rapper Kanye West, all styled by Carine Roitfeld in Chanel LBJs.
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They said/We said: A new study has found that a woman reaches her sartorial prime at age 35
Gone are the days of teenage style icons (okay, maybe not the eternally best-dressed Fanning sisters), when Britney Spears’ plaid miniskirts were the norm. A British study by retailer CC has found that a woman reaches her sartorial prime at age 35. Three out of four women felt their style improved after their 20s with one in three women saying they looked the best they ever had in their 30s.
What gives? Apparently it all comes down to self-confidence, wisdom and maturity. Empowered mid-30-year-olds know how to reference the latest trends with enough confidence to carry them off.
So naturally, we made a list of our personal style icons (think: Chloë Sevigny, Kate Lanphear, Vanessa Paradis, the list goes on) and found that—shocker—they’re all around 35.
And it doesn’t stop at 35. Arguably the best part of this whole study was that iconoplast Helen Mirren beat out Kate Middleton (another 30-year-old) as the celebrity woman most considered to be in her prime. She’s 66! We can’t say we’re surprised though—have you seen her in a bikini? She’s a total knockout.
It’s high time we recognize the style contributions of the mature set. The success of blogs like Advanced Style has shown that style doesn’t fade with age. We aspire to dress like those women. Just look at two of M.A.C’s most recent collections: Carine Roitfeld and Iris Apfel. Both mature ladies and both with closets we’d gladly dive into.
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Start growing out your brows: Carine Roitfeld is doing a M.A.C makeup collection!
It’s going to be quite a busy season for Carine Roitfeld come September. Not only is the former French Vogue editor launching her upcoming mag, CR Fashion Book, it was just announced that she’s doing a makeup collection in collaboration with M.A.C Cosmetics.
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The skinny on Carine Roitfeld’s multi-lingual magazine/magasin/tijdschrift/revista
Carine Roitfeld has finally let the fashion world in on the nitty-gritty of her new magazine, CR Fashion Book (or CR for short). The magazine will feature Carine’s loopy signature (the one we saw in every issue of Vogue Paris) on the cover and have unconventional sections like “Muses” and “Icons.”
Considering she (maybe) got booted from Vogue for a tres risqué editorial featuring little-girl model Thylane Loubry Blondeau, we’d expect Roitfeld to shake things up. For starters, the magazine will only have spreads and long-format articles. Any front of book shopping, art or event pieces will be put on the website. And even though it’s an English-language magazine, articles will be printed in the author’s native language with translations at the back. Lara Stone writing in Dutch? Pedro Almodóvar in Spanish? It’s an interesting concept to be sure, but we can’t help thinking all the flip-flopping will make us a little dizzy.
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They said/We said: Oh the scandal! Jackie O’s famous bloody Chanel suit was in fact not…Chanel!
There are a few outfits that have had a lasting impact on society. Kate Middleton’s blue Issa engagement dress, for example. Marilyn Monroe’s white dress in The Seven Year Itch. Janet Jackson’s Super Bowl halftime show costume. Okay, maybe not that last one.
Amongst that iconic list, the pink bouclé suit Jackie Kennedy wore the day her husband, John F. Kennedy, was assassinated (she famously refused to take off the bloodstained jacket), stands out. In fact, it was so iconic that Carine Roitfeld told Tim Blanks it was the first Chanel piece she recognized: “The first Chanel jacket that I saw–that I knew was Chanel–was on TV. It was on Mrs. Kennedy–the pink one.”
Sorry, Carine, but it looks like you “knew” wrong. Karl Lagerfeld quickly countered, saying it was a line-by-line fake. Wait, Jackie Kennedy wore fake Chanel?!
Well… not exactly. While the Kaiser seems to think Oleg Cassini made the line-by-line copy, consensus is it was actually tailored at the Chez Ninon dress shop in New York. Apparently, the store had received the OK from Chanel to copy the dress and used Chanel fabrics, buttons and patterns to make it.
It appears Kennedy wore the “knockoff” (though with Chanel’s approval, it probably can’t be classified as one) suit to show patriotism and support American clothiers. And considering all the fuss that was made when Michelle Obama wore Alexander McQueen (not American) to the Chinese State Dinner, we think we can understand why she went in that direction.
Either way, the iconic suit will be locked away in a vault in Maryland until 2103. Chanel or not, this is one piece of fashion history we’d love to have seen.
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Influential fashion photographer Paolo Roversi on nudity, the value of a good stylist and why logic has no place in creativity
By Sven Schumann
Staunch fans of fashion photography view Paolo Roversi as a one-man revolution. One of the early adopters of the Polaroid, the Italian-born, Paris-based photographer saw the potential in the camera in the ’70s, years before many of his contemporaries did. Using the Polaroid’s filter and frame to accentuate fashion’s most immediate and delicate moments, Roversi’s style of shooting spawned a legion of admirers, including Carine Roitfeld and the late Herb Ritts. After working under Harper’s Bazaar lensman Laurence Sackman during his salad days, Roversi developed his own POV and began to shoot solo for Elle and Dépêche Mode. His work created such a domino effect in fashion photography that his style became the new industry standard in the ’80s and ’90s. Scrolling through paoloroversi.com offers a taste of his influential commercial campaigns for the houses of Giorgio Armani and Romeo Gigli, as well as his contributions to Paris, British and Italian editions of Vogue. Hot on the heels of launching his most recent book of photographs, Paolo Roversi (Thames & Hudson), the 64-year-old visionary sat down at the Camera Work Gallery in Berlin and spoke to FASHION about his iconic visions—past and present.
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They said/ We said: Jennifer Lopez covers the latest issue of V, package in hand
Jennifer Lopez’ cover on V magazine has everyone buzzing, and not because of her contentious Oscar nip-slip (did it or didn’t it?). Rather, it’s the singer from the block’s get-up that has piqued people’s interest or more specifically, her generously padded jockstrap.
The androgynous cover—photographed and styled by tag team Mario Testino and Carine Roitfeld, respectively—has J.Lo looking one part Million Dollar Baby and one part Balenciaga Pre-Fall 2012.
Frankly, we’re not surprised. Though the aesthetic may be lacking the Parisian elegance Roitfeld is known for, she’s never been one to pass up some good controversy (remember this?). Natch, a bulging jockstrap would just be too much for her to turn down.
The cover comes after a recent push from the fashion industry towards gender-bending (think: Lea T, Andrej Pejic, Kate Moss). And with exciting covers like this coming out we hope the push continues for a long time.
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NYFW style snaps: From Terry Richardson to Gisele, see the scene outside Alexander Wang’s Fall 2012 show
Day four and we can’t stop won’t stop! We predicted that the scene outside Alexander Wang would be full of bustle and we were right. Lewis Mirrett captured fellow photog Terry Richardson, the Very Classy Derek Blasberg, and Gisele, amongst others, all waiting to get into Wang. (Well, Gisele walked the show, so no wait for her!)
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