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It’s time to say goodbye to fall’s dark lip colour, vivid eyeshadows and unforgiving hat-head. Spring is finally here, and we’re ready to freshen up with the latest spring beauty trends. Amidst the myriad of Spring 2013 beauty looks on the runway, nine key trends stood out. From minimalist 1990s beauty to vibrant blue eyeshadow, spring beauty has something for everyone. We’ve rounded up the top beauty trends for spring: Click through the best hair, makeup and nail trends from the Spring 2013 runway shows as well as the products you’ll need to get the looks. This fresh new beauty inspiration is sure to carry you through the season and right into fall.

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FASHION’s March cover girl Hailee Steinfeld made a splash in a pretty pink coat, sitting directly opposite me at MaxMara yesterday. I couldn’t get near her to say hi, though, unless I wanted to risk breaking a toe. There’s no competing with paparazzi, especially the Italian variety.

Here are four key trends from Day Two of Milan Fashion Week to add to your fall hit list:

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gift ideas for men »

Thinking creatively about holiday gift ideas for men, for us, means appealing to his five senses. It can be your brother, boyfriend, husband or dad on your Christmas 2012 gift list, but our trendy ideas are sure to gain a man’s stamp of approval. Alcohol, socks, and sweaters have been tried and tested gifts for as long as we can remember for gifts for men, but this year we’re taking the basics and adding a twist.

Brunettes overshadowed the Fall 2012 runways. Celia Ellenberg reports on the power colour.

Need hair dye inspiration? View our brunette photo gallery »

For two full seasons, Guido Palau made an indelible mark on the backstage beauty game by dyeing models’ hair a frothy colour often described as “Balenciaga blonde” because of its prevalence on Nicolas Ghesquière’s runway. But last September in Paris, the Redken creative consultant shocked the show-going set with some black magic—make that brown magic—by taking a previously platinum Kasia Struss to a warm shade of chocolate. “She just looks tougher with brown hair,” he said at the time.

To be perfectly honest, we kind of fell off the Glee wagon last season, mostly because Lea Michele’s character started to get just a tad too annoying. But after Ryan Murphy revealed earlier this month that none other than Sarah Jessica Parker would be guest starring on the show for its fourth season, we’re definitely back on board.

Miuccia Prada isn’t exactly known for being all that press-friendly, and a rare interview with Italian newspaper La Repubblica may shed some light on why the legendary designer hasn’t warmed to the media in the same way chatterboxes Karl Lagerfeld and Roberto Cavalli have.

In a translation by WWD, Prada’s feature in La Repubblica details all her concerns about the flagging Italian fashion industry. More than any other nation, Italy has the most family-owned luxury fashion houses: Prada, Gucci, Missoni and Fendi are just a few brands that still have an active voice from the founding designers’ families. But with more and more Italian fashion houses looking to sell (Valentino sold to Qatar’s royal family for over $850 million) or to expand by going public with IPOs, Prada is worried Italian fashion may become “second league.”

“[…] If our brands cross our borders, the credit, glamour, fame and decision making is in the hands of others, and we are abandoned, downgraded,” she cautioned.

Prada doesn’t fault the designers themselves; after all, she shows Miu Miu in Paris because of the city’s “attraction that is called glamour,” and Raf Simons’ move from Jil Sander (which shows in Milan) to Parisian fashion house Dior will mean “his value will further be emphasized.”

According to Prada, the real culprits are the Italian media and left-leaning intellectuals. Journalists’ treatment of their nation’s fashion industry as “frivolous” instead of a relevant industry contributes to the view that Italy is seen as a place with “less resources, culture, protagonists, ideas, vitality and money,” meaning that like Simons, “fashion goes elsewhere, looking for the best.”

To celebrate fashion’s biggest season, we’ve put all of the most major ads (So much image slicing!) together in one space. We’ll be adding new creatives as they become available, so be sure to check back for all the biggest and best.

See all the campaigns »

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At the tender age of 24, Delfina Delettrez, a fourth generation daughter of the Fendi family, is being honoured with an exhibition of her surrealistic jewellery in Florence, as part of the Pitti celebrations.

Curated by Emanuela Nobile Mino and spanning four rooms of the historical Galleria Antonella Villanova in Palazzo Ricasoli, Delphinarium (through September 10) features ten of the jeweller’s collections, ranging from the anatomy-heavy Anatomik to the machine-inspired Roll-in-Stones collection. Delettrez’s pieces are nothing if not bold, and the designer draws on the strong women in her lineage (Silvia Venturini, Fendi’s accessories director, is her mother, while Adele Fendi, the fashion house’s founder, is her great-grandmother) for inspiration.

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Smart Italian women—scientists and mathematicians, to be exact—were Fendi’s Spring 2012 muses. Models appeared with bouffant, slightly disheveled faux bobs meant to remind us of eccentric scientists. (Einstein, hello!) Their eyes were slightly obscured by frameless shades resembling lab glasses. Behind the shades, the models’ eyes were gilded with gold or silver leaf, which makeup artist Peter Phillips had applied generously to create a raw texture while echoing the shape of the glasses.

Amidst the mass hysteria (how else could one describe it?) that was the Dior succession saga of 2011/2012, you may have heard the name of a little-known French couturier, Maxime Simoëns, thrown around. And while those rumours may have been totally unfounded, today’s announcement that LVMH would be investing in his eponymous line has made it crystal clear that his is one name to remember.

In a surprising turn of events, LVMH head honcho Bernard Arnault has invested a significant but undisclosed amount in the 27-year-old’s two-years-young label. And while Arnault is famous for treating the global luxury market as one gigantic game of Hungry Hungry Hippos (hint: LVMH=the hippo, everyone else=the balls), the mogul almost never invests in new labels.

Despite his young age, Simoëns is no stranger to the fashion world. He studied fashion at the famed École de la Chambre Syndicale de la Haute Couture and then apprenticed at Elie Saab, Jean Paul Gaultier, Balenciaga and—get this—Dior under Galliano. Not to mention his Maxime Simoëns line that shows during Paris Couture Week and his bevy of celebrity clients (mostly French) including Canadian Rachel McAdams.

Arnault must think the wunderkind has got some serious talent—and with his track record, can you blame him? This has people wondering if Simoëns is being readied to take the reins at one of LVMH’s more established labels. Could we see Simoëns at Givenchy post-Tisci? Or at Fendi post-Karl? Given this year’s intense, never-ending game of fashion musical chairs (Jil! Raf! Stefano! Hedi!), we can’t help but applaud Arnault’s foresight.

Best in show: Prada. The moment the first look (head-to-toe noir with glittering embellishment) hit the graphic purple plush carpet/runway I was in love. It felt classic—very old school Prada (mixed-up prints, clean lines, slick structured bags).

The new suit for fall: Prada’s tailored jacket and cropped trousers. Regardless if you prefer the jumble of mix-and-match prints or the screaming solid orange version, at some point you’ll want them all.

Hottest shoes off the runway: Anna Dello Russo’s Prada Spring 2012 flame shoes.

By Lesa Hannah and Sarah Daniel

Hair accessories have been elevated beyond the basic bobby pin or pedestrian ponytail fastener. At Jason Wu, Odile Gilbert decorated updos with skinny black feathers for a punk touch. “We don’t want them to look romantic,” she says. At Chanel, pearls were pinned into wet-looking chignons; at Yves Saint Laurent, buns were encased in gold cage barrettes. Embellishment didn’t end there, though; faces were fully decorated too. To characterize “giant living dolls” at Viktor & Rolf, makeup artist Pat McGrath used thick, pink false eyelashes. At Givenchy, she responded to the designer’s request for “metallic flashes of light” by cutting sequins in two and placing one half above the eyes and one half below. When “[models] walked and blinked, it would capture the light,” says McGrath. But makeup maven Peter Philips wins the award for best showmanship: At Fendi, he affixed bits of gold and silver leaf from lash to brow. The look blew our minds.

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