FASHION Magazine

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Keep it light and airy in your twenties. Sport bright yellow in your sixties. Give the colour wheel a spin! This season, it’s time to try a brand-new hue no matter which age bracket you fall under.

Jump to age:
20s SUGAR RUSH | 30s SCARLET FEVER | 40s VEGGIE PATCH
50s BLUE CRUSH | 60s FRESH CITRUS | 70s CLEAN SLATE

Some of the top Fall runway trends made their way deep into red carpet territory tonight, as the A-listers put on Hollywood’s biggest and best parade. From the rich reds on Emma Stone and Natalie Portman seen this season on the runway at Michael Kors, to the crisp whites on Gwyneth Paltrow, Rooney Mara, and Octavia Spencer seen at Raf Simons‘ last Jil Sander collection (not to mention everywhere at the Golden Globes), to the peplums spotted on Michelle Williams, Tina Fey, and just about every runway from New York to Milan, it seems that everyone is drinking the same Kool-Aid. But who did it best? We’re loving Gwyneth, Michelle, Jessica, Rooney, and Angelina (her right leg gets a special shout-out), but who makes your cut? Check out our top 12 picks and vote for your favourite after the jump!

See the red carpet photos »
Vote for your favourite »

By Lesa Hannah and Sarah Daniel

It was sink or swim backstage, where wet hair and glistening skin were major beauty themes to surface this season. At Bottega Veneta and Diesel, Guido Palau crafted dripping chignons and misty ponytails. At Alexander Wang, models looked like they had just hopped out of the shower. The sopping effect wasn’t achieved with H2O but with argan hair treatment “until you really get it looking wet,” says Palau. Super-hydrated skin with a healthy sheen was reminiscent of an Olympian post-workout, or in the case of Missoni, a girl who had been up all night flamenco dancing—the models’ dewy complexions achieved through artful placement of metallic cream shadow. That shine could also result from plenty of Botox, according to makeup artist Val Garland, who simulated that supernatural skin for Giambattista Valli by strategically applying a pink-gold pigment on the planes of the face.

See the backstage beauty »
See our editors’ product picks »

It’s that time again! Oscar has spoken, and the nominations are in. Although we would’ve liked to see Tilda Swinton, Elizabeth Olsen, Kirsten Dunst, Shailene Woodley, and Charlize Theron be part of the Best Actress hoopla, it’s probably on Meryl lock anyway. We combed the Pre-Fall collections (with one couture exception) and plucked the gowns we think Oscar’s Best Actress nominees should consider for February 26. Let the countdown begin!

View our picks »

The final city of FASHION’s spring preview, Paris! We round up the highlights from fashion week in the city of love.

View our editor’s picks »

With a thriving ready-to-wear brand, several collaboration projects on the go, four kids, a dashing hubby (publisher Alasdhair Willis) and an icon for a Dad (Sir Paul!) it’s little wonder we bow down to Stella McCartney. Who doesn’t want to be a Stella girl? She’s effortlessly chic but not perfectly turned out; she is a minimalist but has a playful side; she is confident and a great confidante. In the modeling world a Stella girl looks like Miranda Kerr, Natasha Poly, Natalia Vodianova, or Anja Rubik, fitting given that they all walked in McCartney’s Spring 2012 show. And what a show it was: crisp white jackets with mesh inserts, Baroque-inspired embellishment, a shockwave of royal blue, tunics with side slits (a big theme this week), casual pieces in a graphic wave motif reminiscent of silk pajamas, paisley (welcome back!), one-shouldered dresses, onyx-white clutches, sporty flatforms, and quilted shoulder bags tied in a bow.

By Dennis Hensley

On her new album, When the Sun Goes Down, Selena Gomez sings about self-acceptance (“Who Says”), infatuation (“Whiplash,” which Britney Spears co-wrote) and taming a misbehaving guy (“That’s More Like It,” co-written by Katy Perry). Yet when asked which track reveals the most about her, Gomez ditches the hearts and flowers and goes right for the jugular. “‘Bang Bang Bang’ is probably the most personal,” she says, referring to a snarky kiss-off anthem directed toward an ex, in which she coos put-downs like, “My new boy used to be a model…he looks way better than you” and “When I’m out having fun, you’re gonna be the one that’s broken.”

This morning, news broke that Giles Deacon is no longer working as creative director and leading designer at Ungaro. The story of the reported mutual breakup is being met with surprise, coming just weeks shy of Paris fashion week, and after only two collections (and two very well received collections at that) with the Parisian fashion house. The Spring 2012 line will be the last collab between Deacon and Ungaro, and is rumoured to not even have been designed by Deacon himself, but instead “reflect the work of the design team.”

Deacon was the latest in a long list of short-lived collaborations with the likes of Giambattista Valli, Peter Dundas, Esteban Cortazar and even Lindsay Lohan. His departure begs the question: is the brand stable?

Having such a tumultuous staff does not bode well, and with no replacement named, we will wait with baited breath to see what the future holds for the Ungaro name as well as its place within the industry.

What economy? Designer Giambattista Valli to show his first ever couture collection this summer. [Bazaar Blog]

Check out our Paris fall 2011 fashion week photo gallery »

In her never-ending quest to conquer the fashion world, Blake Lively‘s Chanel campaign has made it’s debut⎯extending her stay in the pages of Vogue. Also in the works? A foray into dining. [WWD]

“This is so confusing,” said the flummoxed woman beside me at Chanel. She later said that it was by the two-way traffic on the runway, but it just as easily could have been the abundance of silhouettes.